One of my favorite film composers is Danny Elfman, who has worked alongside Tim Burton for many years, and I think Edward Scissorhand‘s score is a great representation of his work. His music helps to emphasize the wide range of emotions which the film embodies, including love, sorrow, joy, nostalgia, and even humor.
It always interests me to find out about what has inspired the people who inspire me, as well as their techniques and how they specifically work. In an interview I found with Danny Elfman, he speaks about these topics. He explains that his love for music in movies stems from Bernard Herrmann, who composed scores for films such as Citizen Kane, Vertigo, The Birds, and Psycho. It’s interesting to note the partnership between Bernard Herrmann, which is mimicked by the partnership between Danny Elfman and Tim Burton. In this interview, Elfman goes on to discuss how he actually goes about starting to write music for a film. He says that he does not look at anything during pre-production, such as a script; he only creates ideas based off of the films themselves, once they are all but finished besides needing the score.
One scene in Edward Scissorhands which has a particularly beautiful music accompaniment (though I believe all of them do) is the scene where Kim, Winona Ryder’s character, dances in the falling snow created by Edward as he creates an ice sculpture. The music here is made up of vocals, violin, and piano which are all very light in tone to give a light, ethereal feeling to the already uplifting visuals. This abruptly transitions into starkly contrasting dark music when Jim, Kim’s boyfriend, appears in the scene. The music now serves to signal the idea that something terrible is going to happen to either Kim or Edward very soon.